Performance Time and Repertoire
10.27 (Fri) 2023
He Cheng Ba Yin Ensemble
Opening the Gates (Blowing and Percussion) Jin Gu, (String Plucking) Ancient People of October (String Plucking) Snowy Plum Longs for the Lord (String Plucking) Vigorous Spirit in the Morning (String Plucking) Mending the Crock (String Plucking)
19:30
Gantian String Quartet
F. Schubert: String Quartet No.13 in A minor, D. 804 “Rosamunde”
I. Allegro ma non troppo
II. Andante
III. Minuetto- Allegretto
IV. Allegro moderato
20:00
Quljivangrav Ballad Troupe
Uniyu (Bead Stringing Nostalgia) Lalesei (Work Song) Isaceqaljan (Gathering Song)
20:30
Introduction of the Performance Group
Quljivangrav Ballad Troupe
Rainbow symbolises the beauty of women in Paiwan tribe, there always is an enchanting rainbow behind the beauty in Paiwan legend. Singing the songs of Paiwan is beautiful; therefore, “rainbow” is an expectation for our ballad troupe, we expect we could sing a touching song, a touching song which could bring out the beautiful essence of Paiwan culture as the dazzling light of a rainbow. With these such few students in our campus, what we have is a simple and native flame, which contain infinite enthusiasms and hopes, in our hearts. We don’t light on a striking candleholder; we light in our traditional slate house. Our tradition is the woods, and the responsibility of passing our culture is the stove. The folk songs we sing are as simple and unadorned as our ancestors, also, they are as light and soft as the smoke which floated in the air above our tribe. Because of the love from the world, the kids and ballad troupe could rapidly become more and more mature and robust. We hope such a resonant voice, which is as fascinating as a rainbow, will last ever and forever.
Instructor: Yu Li-Chuan(Alis Taljevan)
Guitar: MENG,CHIA-HUA
Gantian String Quartet
Gantian String Quartet
The Gantian String Quartet was co-founded by violinists Gee Lee, Jia-Shiuan Juo, violist I-Chen Wang, and cellist Ching-Tzy Ko, who work in the Music Department of National Tainan University of the Arts. They look forward to contributing to the promotion of classical music through chamber music performances.
He Cheng Ba Yin Ensemble
Founded in 1979, over the past forty years, we have been actively promoting the inheritance of Hakka Ba Yin (Eight Sounds). In 2012, we were registered as a cultural heritage preservation group by the Ministry of Culture. The founding leader, Yuan Mingying, was honored with the 24th Global Chinese Culture and Arts Inheritance Award. Our primary goal is to preserve the traditional Hakka musical culture and advance towards the inheritance of culture and the development of refined performing arts.
Performance Time and Repertoire
10.28 (Sat) 2023
Performance Lecture : Li Chun Yuan’s Beiguan Music Arts
Li Chun Yuan Beiguan Troupe
Cultural Bearing Group of Taiwan National Inscribed and Important Traditional Arts
Host | Ju-Tuan Pan
Associate Professor, Department of Traditional Music at Taipei National
University of the Arts
13:15
|
14:15
Workshop : Manufacture and Playing of the Paiwan
Nose Flute
Shui-Neng Xie
Cultural Bearer of Taiwan National Inscribed and Important Traditional Arts
Host | Yuh-Fen Tseng
Professor, Department of Music, National Chiayi University
14:15
|
16:15
Introduction of the Performer
Li Chun Yuan Beiguan Troupe
In a traditional agricultural society, children from villages often organize "quguan" (Ballade Society) during farming leisure periods to learn music and drama. This serves as both a recreational activity and a way to showcase their skills during religious festivals and deity processions. Zhanghua City used to be the political, economic, and cultural center of the county. “Ma-Zu” folk belief circles developed around Nan Yao Temple, making it a focal point for quguan organizations and an important part of Zhanghua City's folk culture.
Li Chun Yuan is a famous quguan for “Beiguan” in Zhanghua and is the oldest surviving Beiguan musical group in Zhanghua City. Its founder, Yang Yingqiu, came to Taiwan during the Qing Dynasty and introduced quguan culture and Beiguan opera to the Zhanghua region. Yang Yingqiu established four major quguan in Zhanghua: Beimen Yiruzhai, Nanmen Li Chun Yuan, Dongmen Jiyu Xuan, and Ximen Yuehua Ge, collectively known as the "Four Major Quguans of Zhanghua." However, only Li Chun Yuan and Jiyu Xuan remain active today. Li Chun Yuan was founded in the 16th year of Jiaqing (1811) and was the first quguan established by Yang Yingqiu. It is the oldest quguan in the Zhanghua region and played an indispensable role during the disputes among various quguansin Zhanghua's history. The name "Li Chun Yuan" comes from the Tang Dynasty Emperor Tang Ming Huang's love for music and dance, as he established a "Li Yuan" as a large royal troupe for composing and performing music. This later became known in the theatrical world as the "Li Yuan." The land of Li Chun Yuan is said to have been donated by an unknown person and covers approximately 300 square meters, surrounded by fish ponds and rice paddies. To honor this anonymous donor, a small temple was built in a nearby alley behind Li Chun Yuan, and it is referred to as the "Di Ji Zhu Temple" (Temple of the god in charge of safeguarding the house foundation) because the exact name of the donor is unknown. Li Chun Yuan underwent renovations in 1982 in the 5th lunar month but, due to Feng Shui considerations that the hall was not suitable for groundbreaking in that year, the date on the stele outside was revised to 1983 on the first day of the first month. Li Chun Yuan serves as the leading quguan for the Nan Yao Temple Ma-Zu grand procession, commonly known as the "Da Ma Guan" (Grand Ma-Zu Quguan). Additionally, Li Chun Yuan has also participated in various other musical ensembles for deities, including the Tian-Hou-Gong Ma-Zu parade ensemble, Confucius ceremonies ensemble, and Guan-Sheng-Di-Jun festival ensemble, holding an important position in the Zhanghua regional folk ballade scene. In 2006 AD, it was registered as a historical building and the Li Chun Yuan Beiguan Troupe, the cultural transmitting group of Beiguan, a Taiwan National Inscribed and Important Traditional Arts.
Shui-Neng Xie
Gilegilau Pavalius, born in 1948, is a significant preserver of traditional art within the Taiwan indigenous Paiwan ethnic group, particularly the double-reeded nose flute. He was born in the Piuma tribe in Pingtung County and developed a love for nose flutes and singing from a young age. After marriage, he learned the craftsmanship and playing techniques of mouth flutes and nose flutes from his father-in-law, dedicating his life to the preservation and promotion of Paiwan nose flutes and ancient songs. Here are some important milestones in the career of Gilegilau Pavalius:
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2001, he was included in the "Current Nose Flute Talents Directory" as part of the book "Nose Flutes and Mouth Flutes of the Paiwan Tribe," published by the National Center for Traditional Arts.
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2008, he participated in the recording of the award-winning album "Sepiuma Sings Love Songs," which won a Golden Melody Award.
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2010, Pingtung County Government officially recognized Mr. Gilegilau Pavalius as a preserver of traditional art for Paiwan mouth and nose flutes, making him an official county artist.
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2011, he was selected as an artist for the third annual residency program of the Council of Indigenous Peoples, Executive Yuan.
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2011, he was recognized as an "Important Preserver of Traditional Art" for the 100th year by the Council for Cultural Affairs (now the Ministry of Culture), receiving the title of "Living National Treasure," which designates him as a national-level artist.
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2017, he was awarded the Lifetime Achievement Award by the Pingtung County Government.
hp-ym01-000014-002-i.jpg謝水能。
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